Saturday 25 February 2017

Low Cut Connie - Rock'n'Roll Revolution




1.    Who are Low Cut Connie? 

Low Cut Connie are an indie rock’n’roll band from Philadelphia, Pennsylvania. They have been playing together since 2010 and are famous for their high energy live shows and general debauchery. Rock’N’Roll Revolution (Feb’17) is the lead single from their fourth album Dirty Pictures (Part 1) (May'17). 


2. What kind of song is Rock'n'Roll Revolution

Rock'n'roll Revolution is good times rock'n'roll, piano-led, with bluesy vocals and saturated in a miasma of sex, drugs, booze and rock'n'roll. Done and dusted in the magic three minutes this tune is concise, orgiastic, grand and vital. 


3. Who do Low Cut Connie sound like? 

Jerry Lee Lewis, J Roddy Ralston & The Business and Nathaniel Rateliff & The Night Sweats.

4. What have the press said about Rock'n'Roll Revolution? 

“Kicking up some dust right out of the gates” – Daily Play MPE.

“Blasts it’s way through singalong chorus’ and big riffs” – Back Seat Mafia. 

“Low Cut Connies rips shit up” – Daily Play MPE.




5. Which bands influenced Low Cut Connie? 

They like Little Richard, James Brown, Jerry Lee Lewis, The Rolling Stones and Bruce Springsteen. 


6. Why should I give Rock'n'Roll Revolution?

Because you love 50's rock'n'roll. Because you are a hedonist. 


7. What are Low Cut Connie's best songs? 

Rock'n'roll Revolution takes the gold but Shake It Little Tina is more of the same good times and well good for the silver. 


8. Any more words? 

The band are named after a waitress the singer/piano player Adam Weiner often saw at a diner when he was young and his appreciation for her dresses. 


“Touch my body, touch my soul,

Revolution rock’n’roll”





Alex The Astronaut is Alex Lynn from Sydney, Australia, but fighting out of New York City. She is a folk-tronic musician and has only released a handful of singles since her debut in 2016. Alex is similar to The Waifs and Little Birdy. She is influenced by Paul Kelly, Lorde and Bob Dylan. Already Home (Dec'17) is an instantly lovable story-telling song in the indie folk/pop tradition but with gravitas from the swelling strings and stinging lyrics.

“And there’s billionaires for president,
And parking fines at hospitals”







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